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    <pubDate>Sat, 25 May 2013 03:58:41 +0100</pubDate>
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           <title>Whitesnake Newcastle Metro Radio Arena</title>
           
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  THE trousers may be a little less tight, the top a little looser around the middle and the voice can’t quite scale the heights that it used to, but there’s no doubting David Coverdale still has what it takes.
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           <title>Quirke of fate</title>
           
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  From Birds of a Feather, to Emmerdale and Broadchurch, and also founding a successful stage school, actress Pauline Quirke tells Steve Pratt how time has flown.
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           <title>Hat's off to Tony</title>
           
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  Actor Tony Audenshaw, better known to Emmerdale fans as Bob Hope, is lending his support – and soap show colleagues – to York Rocks Against Cancer, as Steve Pratt reports.
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           <title>Dining among the stars</title>
           
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  Peter Barron relives childhood memories in Whitby and tries a restaurant celebrating an anniversary.
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           <title>The Woman in Black, Newcastle Theatre Royal</title>
           
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  OH the crackle of plastic and the ill-timed teenage hysterical giggle – sure-fire ways to dampen the spine-chilling tingle of the scariest ghost story...nearly.
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           <title>Emmylou Harris and Rodney Crowell, The Sage Gateshead</title>
           
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  ONCE country music queen Harris and her long-time friend, band member Rodney Crowell, and their five-piece band stepped on stage, there was only one thing on their mind.
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           <title>The Northern Sinfonia and Chorus, The Sage Gateshead</title>
           
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  THE choral works of Scottish composer James MacMillan are infused with an intensity born out of his deep Catholic faith and encapsulated in his Seven Last Words from The Cross.
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           <title>Steve Hackett Live at The Sage, Gateshead</title>
           
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  IF you grew up in the 1980s, the chances are that the name Genesis conjures up memories of quirky pop songs sung by that housewives favourite cheeky cockney, Phil Collins.
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           <title>Horrible Histories, Terrible Tudors/Vile Victorians Billingham Forum</title>
           
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  I WASN’T shocked at the horribleness of this show; it was the emotions, sad and stirring, that startled me.
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           <title>The Great Gatsby</title>
           
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  I REMEMBER the first time I saw Baz Luhrmann’s Moulin Rouge that the first half-hour or so was so frenetic, so full-on, so in your face in both sound and visuals that I wanted to scream out, “Stop it, calm down, just stay still for a minute”.
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